[{"data":1,"prerenderedAt":362},["ShallowReactive",2],{"content-query-4eip5bUqoo":3,"content-navigation-8C37fagqQL":167},{"_path":4,"_dir":5,"_draft":6,"_partial":6,"_locale":7,"title":8,"description":9,"year":10,"tags":11,"format":14,"length":15,"languages":16,"subtitles":18,"cast":23,"crew":40,"festivals":67,"press":92,"funding":97,"teaser":100,"images":101,"statement":129,"filmquote":130,"links":133,"body":137,"_type":161,"_id":162,"_source":163,"_file":164,"_stem":165,"_extension":166},"\u002Fen\u002Ffilm\u002Findeinerhaut","film",false,"","Under your skin","A no-budget gay science-fiction film about the power of the imagination",2016,[12,13],"short","feature","DCP, 2K, 1:2.35, stereo","29min",[17],"de",[19,20,21,22],"en","fr","es","pl",[24,27,30,33,36,38],{"name":25,"role":26},"Gioele Viola","Max",{"name":28,"role":29},"Ibrahim-Benedikt El-Akramy","Ken",{"name":31,"role":32},"Laura Ehrich","Mona",{"name":34,"role":35},"Yuri Gárate","Boss",{"name":37,"role":35},"Wolfgang Krömer",{"name":39,"role":35},"Nina Ramershoven",[41,44,47,50,53,55,57,60,62,64],{"name":42,"role":43},"Daniel Kulle","Director",{"name":45,"role":46},"Arnaldo González","Camer",{"name":48,"role":49},"Lukas Eichner","Camera",{"name":51,"role":52},"Anna Grabo","Sound",{"name":54,"role":52},"Diana-Dorothée Waschelitz",{"name":56,"role":52},"Uxia Iglesias Tojeiro",{"name":58,"role":59},"Daniela Bergschneider","Set Design",{"name":61,"role":59},"Antonia Krämer",{"name":63,"role":59},"Lucie Schroeder",{"name":65,"role":66},"Till Schüssler","Sound Mix",[68,71,75,79,83,87],{"date":69,"title":70},"2016-10-23","Lesbisch Schwule Filmtage Hamburg",{"date":72,"endDate":73,"title":74},"2016-10-28","2016-10-30","Pornfilmfestival Berlin",{"date":76,"title":77,"place":78},"2017-05-03","Pink Apple","Zürich, Schweiz",{"date":80,"title":81,"place":82},"2017-10-01","Scottish Queer International Film Festival","Glasgow, Großbritannien",{"date":84,"title":85,"place":86},"2017-11-18","Imperfectu Fest","Tijuana, Mexico",{"date":88,"dateEnd":89,"title":90,"place":91},"2018-07-16","2018-07-22","The Palace International Film Festival","Piotrowice Nyskie, Polen",[93],{"date":94,"title":95,"url":96},"2016-10-15","Pink Channel Magazin","https:\u002F\u002Fwww.mixcloud.com\u002FWolfgangHH\u002Fpink-channel-magazin-15102016\u002F",[98],{"institution":99},"Crowdfunding Nordmedia","\u002Fvideo\u002Findeinerhaut.mp4",[102,105,108,111,114,117,120,123,126],{"src":103,"alt":104},"\u002Fimg\u002Ffilm\u002Findeinerhaut\u002Findeinerhaut-01.jpg","A Shoulder covered with dried clay",{"src":106,"alt":107},"\u002Fimg\u002Ffilm\u002Findeinerhaut\u002Findeinerhaut-04.jpg","Max presses his lips against a glass door",{"src":109,"alt":110},"\u002Fimg\u002Ffilm\u002Findeinerhaut\u002Findeinerhaut-06.jpg","Max in underpants, weird cables spring from his breast",{"src":112,"alt":113},"\u002Fimg\u002Ffilm\u002Findeinerhaut\u002Findeinerhaut-07.jpg","A group of sailers, their faces covered in white masks.",{"src":115,"alt":116},"\u002Fimg\u002Ffilm\u002Findeinerhaut\u002Findeinerhaut-09.jpg","Ken und Mona stare on a futuristic screen",{"src":118,"alt":119},"\u002Fimg\u002Ffilm\u002Findeinerhaut\u002Findeinerhaut-10.jpg","Max lies in bed, covered with a blanked",{"src":121,"alt":122},"\u002Fimg\u002Ffilm\u002Findeinerhaut\u002Findeinerhaut-12.jpg","Max and Ken stand in front of each other",{"src":124,"alt":125},"\u002Fimg\u002Ffilm\u002Findeinerhaut\u002Findeinerhaut-15.jpg","Max sits in a chair, gazing sadly into the distance. In the background an image of Ken.",{"src":127,"alt":128},"\u002Fimg\u002Ffilm\u002Findeinerhaut\u002Findeinerhaut-16.jpg","Max stares into the camera, his face covered in band-aids.","'\"Under Your Skin\" is not a perfect film. It's the opposite, it's a film that takes part in a cinema of defiance, of imperfection, a cinema povera. Well, call it defiance, call it impatience, call it even willful ignorance about the matter of facts. But let’s face it. If we hadn’t done \"Under Your Skin\" the way we did, with next to no money and much too few people, it would have never been done. It wouldn’t have been done this way, it wouldn’t have been done “better”, it would not have been done at all. \nIt’s a cinema that doesn’t care too much about how it’s done. Or, to put it more precisely, that doesn’t care enough to lay off it just because we don’t have the money to do what our imagination leads us to. It’s a kind of cinema povera, a cinema of defiance, that tries to go as far as one can go with the means you have, ignoring all regards of professionalism and rules of propriety. \nIt’s a cinema that embraces and undermines kitsch and theatricality, that tries to find its poetics in and beyond the image and the skin of their protagonists. But first of all it’s a cinema of stubborn imagination that fight its way into reality against all odds. It brings together a group of people that don’t care about how it’s being done, about mainstream standards or the rules of the (gay film) market, and that work together to search for an aesthetic that’s new, fresh and awkward.'\n",[131],{"quote":132},"It was my own world. Nobody else's. My protection. Much looser than my own skin. It's too tight, my skin. As if you tear at my pores and pull all my wrinkles. I want to shake it off. Nothing more. Be naked. Be more than naked. And feel well. Unobserved.",[134],{"url":135,"title":136},"\u002Ffilm\u002Fiamnotmyself","I am not myself (Video Installation)",{"type":138,"children":139,"toc":158},"root",[140,148,153],{"type":141,"tag":142,"props":143,"children":144},"element","p",{},[145],{"type":146,"value":147},"text","A not too distant future, a gloomy dystopia. The digital permeates everyday life and the body. All movements are subjected to a strict surveillance regime.",{"type":141,"tag":142,"props":149,"children":150},{},[151],{"type":146,"value":152},"In this world of omnipresent competition, Max is not the most successful one. Yelled at by his bosses, shunned by his work colleagues, he tries to get through his meagre daily routine. To compensate, he has created a virtual world that belongs entirely to himself. A campy retreat, full of kitsch and colours. Here he can escape surveillance. Here he can be alone and free.",{"type":141,"tag":142,"props":154,"children":155},{},[156],{"type":146,"value":157},"To complete his fairytale world, Max has constructed a number of sailors who fulfil his every wish. Max has modelled the most beautiful of them after his work colleague Ken. One day, however, Ken, the real Ken, finds out about it. Without Max knowledge, he slips into his secret fantasy world and takes over the mask of his double, just to see what Max is up to. He enjoys playing Max puppet. He enjoys playing with Max. Until Max finally becomes suspicious.",{"title":7,"searchDepth":159,"depth":159,"links":160},2,[],"markdown","content:en:1.film:indeinerhaut.md","content","en\u002F1.film\u002Findeinerhaut.md","en\u002F1.film\u002Findeinerhaut","md",[168,192,217,230,353,356,359],{"title":169,"_path":170,"children":171},"Film","\u002Ffilm",[172,175,178,181,183,186,189],{"title":173,"_path":174},"Das Kolonialinstitut","\u002Ffilm\u002Fdaskolonialinstitut",{"title":176,"_path":177},"Die Farbe des Wassers","\u002Ffilm\u002Fdiefarbedeswassers",{"title":179,"_path":180},"Hi! ;-)","\u002Ffilm\u002Fhi",{"title":182,"_path":135},"I am not myself",{"title":184,"_path":185},"In deiner Haut","\u002Ffilm\u002Findeinerhaut",{"title":187,"_path":188},"No Face","\u002Ffilm\u002Fnoface",{"title":190,"_path":191},"The Taming","\u002Ffilm\u002Fthetaming",{"title":193,"_path":194,"children":195},"Literatur","\u002Fliteratur",[196,199,202,205,208,211,214],{"title":197,"_path":198},"Der Jaguar","\u002Fliteratur\u002Fderjaguar",{"title":200,"_path":201},"Der Lügner","\u002Fliteratur\u002Fderluegner",{"title":203,"_path":204},"Die Bibliothek der unvollendeten Geschichten","\u002Fliteratur\u002Fdiebibliothekderunvollendetengeschichten",{"title":206,"_path":207},"Die Traumfabrik","\u002Fliteratur\u002Fdietraumfabrik",{"title":209,"_path":210},"Eine Nacht im Hotel","\u002Fliteratur\u002Feinenachtimhotel",{"title":212,"_path":213},"Moorland","\u002Fliteratur\u002Fmoorland",{"title":215,"_path":216},"Tante Mathilde","\u002Fliteratur\u002Ftantemathilde",{"title":218,"_path":219,"children":220},"Lesung","\u002Flesung",[221,224,227],{"title":222,"_path":223},"Einführung in die Reihe","\u002Flesung\u002F00-einfuehrung",{"title":225,"_path":226},"Wer ist Emil?","\u002Flesung\u002F01-weristemil",{"title":228,"_path":229},"Die Rückkehr ins Moor","\u002Flesung\u002F02-rueckkehrinsmoor",{"title":231,"_path":232,"children":233},"Diskurs","\u002Fdiskurs",[234,237,240,243,246,249,252,255,258,261,264,267,270,273,276,279,282,284,287,290,293,296,299,302,305,308,311,314,317,320,323,326,329,332,335,338,341,344,347,350],{"title":235,"_path":236},"Tut so was ein deutscher Junge?","\u002Fdiskurs\u002F2007-napola",{"title":238,"_path":239},"Wir haben nie gewusst, was unsere Tochter unter der Bettdecke macht","\u002Fdiskurs\u002F2007-wirhabenniegewusst",{"title":241,"_path":242},"Der ärztliche Blick","\u002Fdiskurs\u002F2008-deraerztlicheblick",{"title":244,"_path":245},"§173 St.G.B. 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