We are surrounded by commercial images. Overwhelmed by commodified information. Wherever we look, whatever we touch has long since been marked with a value.
And as we build our identity from all those images and impressions we encounter every day, our selves also become more and more commodified.
Things are even more complicated when our self is a gay one, an identity that has to constantly readjust its relation to heterosexual mainstream culture, find its own centre around which a protective subculture can be created. But what if this subculture, this self has long since become just as commercialised as everything else?
An experimental film about gay iconographies in a commercial age
