[{"data":1,"prerenderedAt":303},["ShallowReactive",2],{"content-query-f2DG3dTuSo":3,"content-navigation-8C37fagqQL":109},{"_path":4,"_dir":5,"_draft":6,"_partial":6,"_locale":7,"title":8,"description":9,"year":10,"tags":11,"format":14,"length":15,"languages":16,"subtitles":18,"crew":19,"festivals":23,"hero":59,"images":62,"filmquote":76,"body":79,"_type":103,"_id":104,"_source":105,"_file":106,"_stem":107,"_extension":108},"\u002Ffilm\u002Fthetaming","film",false,"","The Taming","Ein experimenteller Found-Footage-Film über digitale Utopien des Körpers",2017,[12,13],"short","experimental","1:2.35, mp4\u002F.h264","6min",[17],"en",[17],[20],{"name":21,"role":22},"Daniel Kulle","director",[24,28,31,36,40,44,48,51,55],{"date":25,"endDate":26,"title":27},"2017-10-25","2017-10-28","Pornfilmfestival Berlin",{"date":29,"title":30},"2018-03-10","Bangalore Queer Film Festival",{"date":32,"endDate":33,"title":34,"place":35},"2018-05-11","2018-05-13","La Fête du slip","Lausanne, Schweiz",{"date":37,"title":38,"place":39},"2018-06-07","DIGO International Film Festival of Gender and Sexual Diversity of Goia's","Brasilien",{"date":41,"endDate":42,"title":43},"2018-07-20","2018-07-22","Korea Queer Film Festival",{"date":45,"endDate":46,"title":47},"2018-09-28","2018-09-29","Luststreifen Basel",{"date":49,"title":50},"2018-10-18","Lesbisch-Schwule Filmtage Hamburg",{"date":52,"title":53,"place":54},"2018-11-08","The Palace International Film Festival","Bristol, Großbritannien",{"date":56,"title":57,"place":58},"2021-01-25","Excentrico Fest","Valparaiso\u002FSantiago de Chile, Chile",{"src":60,"fallback":61},"https:\u002F\u002Fplayer.vimeo.com\u002Fvideo\u002F824109987?h=d6e85a70a4","\u002Fimg\u002Ffilm\u002Fthetaming\u002Fthetaming-bg.jpg",[63,66,68,71,73],{"src":64,"alt":65},"\u002Fimg\u002Ffilm\u002Fthetaming\u002Fthetaming-01.jpg","Collage mit digitalen Artefakten und leuchtendem Orange. Im Hintergrund: Bäume",{"src":67,"alt":65},"\u002Fimg\u002Ffilm\u002Fthetaming\u002Fthetaming-02.jpg",{"src":69,"alt":70},"\u002Fimg\u002Ffilm\u002Fthetaming\u002Fthetaming-03.jpg","Collage mit digitalen Artefakten und leuchtenden Farben. Im Hintergrund: Bäume",{"src":72,"alt":70},"\u002Fimg\u002Ffilm\u002Fthetaming\u002Fthetaming-04.jpg",{"src":74,"alt":75},"\u002Fimg\u002Ffilm\u002Fthetaming\u002Fthetaming-05.jpg","Collage mit digitalen Artefakten und leuchtenden Farben. Im Hintergrund zwei sich küssende Männer",[77],{"quote":78},"I found you between all those pixels. Still proud of that. A shadow, a preposterous idea, an embarrassing wet dream. We were buyoant explorers of a new world. Eager to make things right. Put Man into the computer, we thought, and suddenly, all algorithmic rigour will be lost.",{"type":80,"children":81,"toc":100},"root",[82,90,95],{"type":83,"tag":84,"props":85,"children":86},"element","p",{},[87],{"type":88,"value":89},"text","Ein digitaler Materialfilm, Found Footage, irritierendes Flimmern voll visuellen Kontrapunkts, die auf verschiedenen Ebenen sensuelle und intellektuelle Erfahrung gegenüberstellt, eine Destruktion des digitalen Bildes mit seinen Kompressionsalgorithmen und Bits, eine künstlerische Ikonoklastik, die mit der Verschmutzung des Bildes den Realismuseffekt des Digitalen entlarvt.",{"type":83,"tag":84,"props":91,"children":92},{},[93],{"type":88,"value":94},"Eine tragisch misslungene Liebesgeschichte: eine Begegnung im dunklen Wald, eine leidenschaftliche Affäre, die im Gewöhnlichen stagniert, sich einschränkt, verkrustet, eingehegt und gezähmt im kapitalistischen Alltag.",{"type":83,"tag":84,"props":96,"children":97},{},[98],{"type":88,"value":99},"Ein ironischer Gesang auf die Utopien des Digitalen, die naive Hoffnung, die Technik würde uns erlösen und ersetzen, was wir längst zu träumen vergessen haben.",{"title":7,"searchDepth":101,"depth":101,"links":102},2,[],"markdown","content:1.film:thetaming.md","content","1.film\u002Fthetaming.md","1.film\u002Fthetaming","md",[110,133,158,171,294,297,300],{"title":111,"_path":112,"children":113},"Film","\u002Ffilm",[114,117,120,123,126,129,132],{"title":115,"_path":116},"Das Kolonialinstitut","\u002Ffilm\u002Fdaskolonialinstitut",{"title":118,"_path":119},"Die Farbe des Wassers","\u002Ffilm\u002Fdiefarbedeswassers",{"title":121,"_path":122},"Hi! ;-)","\u002Ffilm\u002Fhi",{"title":124,"_path":125},"I am not myself","\u002Ffilm\u002Fiamnotmyself",{"title":127,"_path":128},"In deiner Haut","\u002Ffilm\u002Findeinerhaut",{"title":130,"_path":131},"No Face","\u002Ffilm\u002Fnoface",{"title":8,"_path":4},{"title":134,"_path":135,"children":136},"Literatur","\u002Fliteratur",[137,140,143,146,149,152,155],{"title":138,"_path":139},"Der Jaguar","\u002Fliteratur\u002Fderjaguar",{"title":141,"_path":142},"Der Lügner","\u002Fliteratur\u002Fderluegner",{"title":144,"_path":145},"Die Bibliothek der unvollendeten Geschichten","\u002Fliteratur\u002Fdiebibliothekderunvollendetengeschichten",{"title":147,"_path":148},"Die Traumfabrik","\u002Fliteratur\u002Fdietraumfabrik",{"title":150,"_path":151},"Eine Nacht im Hotel","\u002Fliteratur\u002Feinenachtimhotel",{"title":153,"_path":154},"Moorland","\u002Fliteratur\u002Fmoorland",{"title":156,"_path":157},"Tante Mathilde","\u002Fliteratur\u002Ftantemathilde",{"title":159,"_path":160,"children":161},"Lesung","\u002Flesung",[162,165,168],{"title":163,"_path":164},"Einführung in die Reihe","\u002Flesung\u002F00-einfuehrung",{"title":166,"_path":167},"Wer ist Emil?","\u002Flesung\u002F01-weristemil",{"title":169,"_path":170},"Die Rückkehr ins Moor","\u002Flesung\u002F02-rueckkehrinsmoor",{"title":172,"_path":173,"children":174},"Diskurs","\u002Fdiskurs",[175,178,181,184,187,190,193,196,199,202,205,208,211,214,217,220,223,225,228,231,234,237,240,243,246,249,252,255,258,261,264,267,270,273,276,279,282,285,288,291],{"title":176,"_path":177},"Tut so was ein deutscher Junge?","\u002Fdiskurs\u002F2007-napola",{"title":179,"_path":180},"Wir haben nie gewusst, was unsere Tochter unter der Bettdecke macht","\u002Fdiskurs\u002F2007-wirhabenniegewusst",{"title":182,"_path":183},"Der ärztliche Blick","\u002Fdiskurs\u002F2008-deraerztlicheblick",{"title":185,"_path":186},"§173 St.G.B. Blutschande","\u002Fdiskurs\u002F2009-blutschande",{"title":188,"_path":189},"Choreografien des Schmerzes","\u002Fdiskurs\u002F2012-choreografiendesschmerzes",{"title":191,"_path":192},"Ed Wood","\u002Fdiskurs\u002F2012-edwood",{"title":194,"_path":195},"Behalten oder wegwerfen?","\u002Fdiskurs\u002F2012-muelltheorie",{"title":197,"_path":198},"Alle Macht der Super-8","\u002Fdiskurs\u002F2013-allemachtdersuper8",{"title":200,"_path":201},"Bodies as Unreliable Signifiers","\u002Fdiskurs\u002F2013-bodiesasunreliablesignifiers",{"title":203,"_path":204},"Der absolute Film","\u002Fdiskurs\u002F2013-derabsolutefilm",{"title":206,"_path":207},"DIY Cinema","\u002Fdiskurs\u002F2013-diycinema",{"title":209,"_path":210},"Erfahrungsraum Kino","\u002Fdiskurs\u002F2013-erfahrungsraumkino",{"title":212,"_path":213},"Wenn Erzählen aus dem Ruder läuft","\u002Fdiskurs\u002F2014-wennerzaehlenausdemruderlaeuft",{"title":215,"_path":216},"Post-Digital Culture","\u002Fdiskurs\u002F2015-postdigitalculture",{"title":218,"_path":219},"Raus aus den Toiletten, rein in die Straßen","\u002Fdiskurs\u002F2015-rausausdentoiletten",{"title":221,"_path":222},"Zur Ästhetik der filmischen Bewegung","\u002Fdiskurs\u002F2015-zuraesthetikderfilmischenbewegung",{"title":215,"_path":224},"\u002Fdiskurs\u002F2017-postdigitalculture",{"title":226,"_path":227},"Innovation an den Rändern des Queer Cinema","\u002Fdiskurs\u002F2018-innovationandenraenderndesqueercinema",{"title":229,"_path":230},"Flanierend neue Bezüge herstellen","\u002Fdiskurs\u002F2019-flanierendneuebezuegeherstellen",{"title":232,"_path":233},"Quellenanalyse von Dokumentarfilmen","\u002Fdiskurs\u002F2019-onlinekursdok-6-1",{"title":235,"_path":236},"Formalästhetische Analyse von Dokumentarfilmen","\u002Fdiskurs\u002F2019-onlinekursdok-6-2",{"title":238,"_path":239},"Dramaturgische Modelle von Dokumentarfilmen","\u002Fdiskurs\u002F2019-onlinekursdok-6-3",{"title":241,"_path":242},"Das Hamburgische Kolonialinstitut","\u002Fdiskurs\u002F2019-onlinekursdok-8-2",{"title":244,"_path":245},"Die Erfindung des Dokumentarischen","\u002Fdiskurs\u002F2019-onlinekursdok-10-1",{"title":247,"_path":248},"Die Entdeckung der Vielfalt","\u002Fdiskurs\u002F2019-onlinekursdok-10-2",{"title":250,"_path":251},"Theorien und Diskurse des frühen nichtfiktionalen Films","\u002Fdiskurs\u002F2019-onlinekursdok-10-3",{"title":253,"_path":254},"Kulturfilm","\u002Fdiskurs\u002F2019-onlinekursdok-10-4",{"title":256,"_path":257},"Begegnung mit dem Fremden","\u002Fdiskurs\u002F2019-onlinekursdok-10-5",{"title":259,"_path":260},"Der Blick des Kinoauges","\u002Fdiskurs\u002F2019-onlinekursdok-10-6",{"title":262,"_path":263},"Stadtsinfonien","\u002Fdiskurs\u002F2019-onlinekursdok-10-7",{"title":265,"_path":266},"Die Britische Dokumentarfilmbewegung","\u002Fdiskurs\u002F2019-onlinekursdok-11-1",{"title":268,"_path":269},"Dokumentarfilm im Nationalsozialismus","\u002Fdiskurs\u002F2019-onlinekursdok-11-2",{"title":271,"_path":272},"Der amerikanische Dokumentarfilm in den 1930er Jahren","\u002Fdiskurs\u002F2019-onlinekursdok-11-4",{"title":274,"_path":275},"Cinéma vérité","\u002Fdiskurs\u002F2019-onlinekursdok-12-2",{"title":277,"_path":278},"Technische Entwicklungen der 1950er bis 1980er Jahre","\u002Fdiskurs\u002F2019-onlinekursdok-12-5",{"title":280,"_path":281},"Fernsehdokumentarismus 1980-2005","\u002Fdiskurs\u002F2019-onlinekursdok-13-1",{"title":283,"_path":284},"Essayfilm","\u002Fdiskurs\u002F2019-onlinekursdok-13-2",{"title":286,"_path":287},"Dokumentarischer Film im Zeitalter der Digitalisierung","\u002Fdiskurs\u002F2019-onlinekursdok-14-1",{"title":289,"_path":290},"Die Neuentdeckung der Politik","\u002Fdiskurs\u002F2019-onlinekursdok-14-2",{"title":292,"_path":293},"Choreographies of pain","\u002Fdiskurs\u002F2022-choreographiesofpain",{"title":295,"_path":296},"Lehre","\u002Flehre",{"title":298,"_path":299},"CV","\u002Fcv",{"title":301,"_path":302},"Kontakt","\u002Fkontakt",1780415591280]